#Christina aguilera cd album series

The Storm) originally set for release on May 27, 2022. La Fuerza was released on Januand was followed by La Tormenta ( transl. The Strength) and that it would celebrate her power as a woman. In an interview with the Los Angeles Times, Aguilera revealed that the album would be released in three pieces, confirming that the first part of the album would be titled La Fuerza ( transl.

The video featured two women seen walking from behind, while an acoustic guitar instrumental played in the background. On October 18, 2021, Aguilera posted a teaser video on her social media accounts. On October 4, 2021, Aguilera's website showed white text on a black screen that said 'Redescubriendo raices. Production for the album wrapped in April 2021. The idea was to release them in 'six song increments' throughout 2022 until the album was completely released. Three concepts were created for each part: empowerment, vulnerability and healing. ĭuring production, Aguilera conceived the idea of a multiple-part album. She collaborated with several producers including Federico Vindver, Jean Rodríguez, Rafa Arcaute, Édgar Barrera, Feid, Andrés Torres, DallasK and more. Aguilera relocated to Miami, Florida for a month, taking part in a COVID-safe writing camp with Sony Latin. Production for the album began in March 2021. While promoting her residency, The Xperience, on Watch What Happens Live with Andy Cohen, during a question and answer segment, she revealed that a follow-up to Mi Reflejo 'has been on my to-do list forever.' įollowing the cancellation of the final leg of 'The Xperience' due to the ongoing COVID-19 pandemic lockdown, Aguilera decided to finally create the follow-up to Mi Reflejo, dedicating it to her Ecuadorian heritage, while simultaneously working on an English album.

#Christina aguilera cd album series

To further promote the album, Aguilera embarked on the Summer Series Tour.įollowing the release of Liberation (2018), Aguilera began expressing interest on releasing another Spanish album. Upon release, the album received positive reviews and debuted at number 18 on the US Latin Pop Albums chart. Multiple singles were released from the album including ' Pa Mis Muchachas', ' Somos Nada', ' Santo' and ' Suéltame'. The songs on the album range from beat-heavy uptempo tracks to slow ballads, such as piano ballads and rancheras and features collaborations with Becky G, Nicki Nicole, Nathy Peluso, Ozuna, Tini and Christian Nodal. Named after her surname, the album pays tribute to Aguilera's Latin-American heritage, her Ecuadorian father, and her childhood and as a means to connect her children with their Latin heritage.Įssentially a Latin album, Aguilera includes heavy dance-pop, Latin pop, and urbano influences, and features elements of cumbia, tango, tropical music, guaracha, reggaeton. As a trilogy album, the album featuring three separate 'chapters' with each part of the trilogy being released as a separate extended play (EP): La Fuerza, La Tormenta and the upcoming La Luz. It was released digitally through Sony Music Latin on and is the follow up to her first Spanish-language album, Mi Reflejo (2000). The feedback was fairly minor, so while producing the artwork was incredibly time-consuming, it went fairly smoothly.Aguilera is the ninth studio album by American singer-songwriter Christina Aguilera. To me it seemed fairly natural to make her appear to be made up of musical components, like a steampunk robot. The album had a futuristic feel, but at the same time a nostalgia to it, and whether you like her music or not, she is an incredible singer- her voice is unbelievable. She told me, ‘I like the skulls being revealed in your paintings, but don’t make me dead. I asked her to let me listen to the album and see what came to mind. She explained that I’d have complete creative control and work directly with her and Jordan on the artwork. While she’s cool and I enjoyed hanging out with her, it wasn’t the music I listened to and I couldn’t see how what I did would fit with what she was doing. When Christina asked me if I’d produce the artwork for her then-upcoming album, I was obviously flattered, but also concerned as in truth, I didn’t listen to her music.